南華大學機構典藏系統:Item 987654321/29369
English  |  正體中文  |  简体中文  |  Items with full text/Total items : 18278/19583 (93%)
Visitors : 2124503      Online Users : 291
RC Version 7.0 © Powered By DSPACE, MIT. Enhanced by NTU Library IR team.
Scope Tips:
  • please add "double quotation mark" for query phrases to get precise results
  • please goto advance search for comprehansive author search
  • Adv. Search
    HomeLoginUploadHelpAboutAdminister Goto mobile version
    Please use this identifier to cite or link to this item: http://nhuir.nhu.edu.tw/handle/987654321/29369


    Title: 從《無聲息的歌唱》析論星雲的文學表現和佛教革新觀點
    Other Titles: An Analysis on Hsing Yun's Literary Expression and Buddhist Innovative Views Reflected from Singing in Silence
    Authors: 陳明彪
    Tan, Beng-Piou
    Contributors: 馬來西亞拉曼大學中華研究院中文系
    Keywords: 星雲;《無聲息的歌唱》;佛教法器;文學表現;佛教革新;星雲;《無聲息的歌唱》;佛教法器;文學表現;佛教革新
    Hsing Yun;Singing in Silence;Buddhist artifacts;Literary Expression;Buddhism Innovation Views
    Date: 2021-12-01
    Issue Date: 2022-12-13 16:46:16 (UTC+8)
    Publisher: 南華大學文學系
    Abstract: 一九五三年七月,星雲著作的《無聲息的歌唱》出版,此書昭示了日後星雲以文學的方式弘傳佛法的開端,亦是其「文學為佛法之翼,佛法為文學之核」理念及精神的展現。《無聲息的歌唱》乃星雲二十三歲時,在苗栗法雲寺守護山林、阻止盜獵時,在草棚草堆旁寫就。書中將佛教中的十八種佛門的法器,如︰大鐘、木魚等,以及兩種非法器即籤筒和紙箔,將其擬人化,以代物自言的方式,用散文的體裁呈現。各篇介紹了器物的形狀、來歷、材料、功用、類別等。各篇發揮想象力,對大部份佛教中的法器以平易近人的方式簡介,此書「可說是台灣佛教最早的現代文學作品」。此外,書中內容實反映了當時佛教界的諸多問題,除斥法器之濫用外,此書還寄托了星雲欲改革當時佛教陋習,中興佛教,讓更多人了解佛法、信仰佛教的心願。緣此,故本文除探討星雲的文學因緣、文學敘述手法等外,亦探討書中所顯現的臺灣佛教的問題,星雲改革佛教的呼籲。
    Hsing Yun published the book Singing in Silence in July 1953, it manifested the Hsing Yun started to carry forward teaching of Buddhism by using literature as his medium. This also revealed his idea of “Literature is the wing of Buddhism while Buddhism is the core of literature.” Hsing Yun was only 23 years old while he wrote the book Singing in Silence. He was guarding the mountains and forests and preventing poaching at Fayun Temple in Miaoli at that time. The book anthropomorphizes eighteen Buddhist artifacts in Buddhism, such as big bells, wooden fish, etc., as well as two non- Buddhist artifacts, i.e., sticks and paper foils, and uses prose genres as a way for them to speaks for themselves. Each article introduced the shape, origin, material, function and category of the Buddhist artifacts. He used his imaginations to introduce most of the Buddhist artifacts in an approachable way, in this way, this book can be known as “the earliest modern literary work of Taiwanese Buddhism.” The book content reflected the Buddhists' problem of that time, such as abusing of dharma instruments. Hsing Yun pinned his hope to reform those bad practice in Buddhism and to promote Buddhism that more people could understand and believe in Buddhism in this book. Thus, this article not only investigates literary origins, the literary narratives of Hsing Yun, this article also discusses Taiwan Buddhism problem that had been revealed in the book and also Hsing Yun’s appealed of reforming Taiwan Buddhism.
    Relation: 文學新鑰
    34期
    Appears in Collections:[The Journals of Nanhua University ] Literature in a new key
    [Department of Literature]

    Files in This Item:

    File Description SizeFormat
    4023003404.pdf1797KbAdobe PDF247View/Open
    index.html0KbHTML1200View/Open


    All items in NHUIR are protected by copyright, with all rights reserved.


    DSpace Software Copyright © 2002-2004  MIT &  Hewlett-Packard  /   Enhanced by   NTU Library IR team Copyright ©   - Feedback